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Monument: Sorbonne ChapelLocation: Paris, FranceArchitect:Jacques LemercierYear: 1635-1642
The origins of the University of Paris, to which the Sorbonne Chapel is a major defining landmark, date back to the early 12th Century. Located on the Seine’s left bank, the the founding of the University provided an alternative to monastery schools. Free, yet rigorous, courses in law, medicine, arts, and theology drew in a worldly mixture of students to the area. The widespread use of Latin within the university community lead to this area being commonly known as the Latin Quarter.
When Cardinal Richelieu, a prime minister and patron of the arts, became the University’s president in 1622, he hired Jacques Lemercier to redesign the school’s campus buildings in a unified style. The Chapel is the only remaining building from this era and features a baroque facade and centralized floor plan heavily influenced by Rome’s Il Gesu church. It creates a connection with existing Sorbonne buildings through an entrance onto an interior courtyard as well as serves as the focal point of a public square (pictured).
The Chapel was completed in 1642, the same year as Richelieu’s death, and became his final resting place.

Monument: Sorbonne Chapel
Location: Paris, France
Architect:Jacques Lemercier
Year: 1635-1642

The origins of the University of Paris, to which the Sorbonne Chapel is a major defining landmark, date back to the early 12th Century. Located on the Seine’s left bank, the the founding of the University provided an alternative to monastery schools. Free, yet rigorous, courses in law, medicine, arts, and theology drew in a worldly mixture of students to the area. The widespread use of Latin within the university community lead to this area being commonly known as the Latin Quarter.

When Cardinal Richelieu, a prime minister and patron of the arts, became the University’s president in 1622, he hired Jacques Lemercier to redesign the school’s campus buildings in a unified style. The Chapel is the only remaining building from this era and features a baroque facade and centralized floor plan heavily influenced by Rome’s Il Gesu church. It creates a connection with existing Sorbonne buildings through an entrance onto an interior courtyard as well as serves as the focal point of a public square (pictured).

The Chapel was completed in 1642, the same year as Richelieu’s death, and became his final resting place.

Monument: Quadracci PavilionLocation: Milwaukee, WisconsinArchitect: Santiago CalatravaYear: 1994-2001
In order to generate a more visible identity for their institution, the Milwaukee Art Museum hired Santiago Calatrava to design a building in his signature style next to the existing Eero Saarinen designed War Memorial Center. What initially began as a modest plan for an addition rapidly grew in scale as funding increased due to excitement surrounding the project. The resulting museum, Calatrava’s first State-side commission, employs the architect’s signature architectural language of white poured-in-place concrete, graceful curves, and cutting edge engineering to full effect. Two 217ft operable wings, made of 72 steel fins, act as a sunscreen and create a dramatic show for visitors during opening and closing hours.

Monument: Quadracci Pavilion
Location: Milwaukee, Wisconsin
Architect: Santiago Calatrava
Year: 1994-2001

In order to generate a more visible identity for their institution, the Milwaukee Art Museum hired Santiago Calatrava to design a building in his signature style next to the existing Eero Saarinen designed War Memorial Center. What initially began as a modest plan for an addition rapidly grew in scale as funding increased due to excitement surrounding the project. The resulting museum, Calatrava’s first State-side commission, employs the architect’s signature architectural language of white poured-in-place concrete, graceful curves, and cutting edge engineering to full effect. Two 217ft operable wings, made of 72 steel fins, act as a sunscreen and create a dramatic show for visitors during opening and closing hours.

Big shoutout goes out to The Pittsburgh History Journal, our 100th follower. Thanks for the support everyone.

-more posts in the near future


Monument: The Solomon R. Guggenheim MuseumLocation: New York, New YorkArchitect: Frank Lloyd WrightYear: 1959
The Solomon R. Guggenheim Museum, located on 5th Avenue in New York City directly across from Central Park, is one of Frank Lloyd Wright’s better known public buildings. It opened in 1959 to exhibit the extensive art collection of it’s patron, Solomon R. Guggenheim. After fifteen years of design collaboration, it opened as the first museum in the United States built as new construction (more of the Guggenheim’s collection is housed as its sister museum in Bilbao, designed by Frank Gehry). The interior of the museum is formed around a continuous spatial helix with a ribbon-like ramp that spirals and expands from the ground to the top floor of the building. Upon entering, an elevator goes straight to the top floor, making it possible to descend the ramp at a leisurely pace, without the struggle of walking uphill. The art is displayed on the walls along the ramp in addition to a few side galleries.  The most common criticism of the museum speaks to the unconventional viewing of art displayed on slanted walls while standing sideways at a slight upward incline. This, however, was precisely Wright’s intention. He wanted “to make the building and the painting an uninterrupted beautiful symphony such as never existed in the world of art before.” Because the ramp spirals around a central atrium, it becomes compelling to look across the atrium to the people walking along the ramp opposite. Inhabitants are put on display just as much as the artwork at the Guggenheim. 

The museum underwent a major renovation from 2005 - 2008, including an extensive analysis of cracking of the concrete structure.

Monument: The Solomon R. Guggenheim Museum
Location: New York, New York
Architect: Frank Lloyd Wright
Year: 1959

The Solomon R. Guggenheim Museum, located on 5th Avenue in New York City directly across from Central Park, is one of Frank Lloyd Wright’s better known public buildings. It opened in 1959 to exhibit the extensive art collection of it’s patron, Solomon R. Guggenheim. After fifteen years of design collaboration, it opened as the first museum in the United States built as new construction (more of the Guggenheim’s collection is housed as its sister museum in Bilbao, designed by Frank Gehry). The interior of the museum is formed around a continuous spatial helix with a ribbon-like ramp that spirals and expands from the ground to the top floor of the building. Upon entering, an elevator goes straight to the top floor, making it possible to descend the ramp at a leisurely pace, without the struggle of walking uphill. The art is displayed on the walls along the ramp in addition to a few side galleries.  The most common criticism of the museum speaks to the unconventional viewing of art displayed on slanted walls while standing sideways at a slight upward incline. This, however, was precisely Wright’s intention. He wanted “to make the building and the painting an uninterrupted beautiful symphony such as never existed in the world of art before.” Because the ramp spirals around a central atrium, it becomes compelling to look across the atrium to the people walking along the ramp opposite. Inhabitants are put on display just as much as the artwork at the Guggenheim. 

The museum underwent a major renovation from 2005 - 2008, including an extensive analysis of cracking of the concrete structure.
Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)Location: Pisa, ItalyArchitect: unknownYear: 1173-1264
Thanks AintNoBonesInIceCream!

Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)
Location: Pisa, Italy
Architect: unknown
Year: 1173-1264


Thanks AintNoBonesInIceCream!

Monument: Maison du BrésilLocation: Paris, FranceArchitect: Lucio Costa and Le CorbusierYear: 1953

Monument: Maison du Brésil
Location: Paris, France
Architect: Lucio Costa and Le Corbusier
Year: 1953

Monument: Notre Dame de ParisLocation: Paris, FranceArchitect: unknownYear: 1163-1345

Monument: Notre Dame de Paris
Location:
Paris, France
Architect: unknown
Year: 1163-1345

Monument: Mobile Art PavilionLocation: Paris, FranceArchitect: Zaha Hadid ArchitectsYear: 2006-2008

Monument: Mobile Art Pavilion
Location: Paris, France
Architect: Zaha Hadid Architects
Year: 2006-2008

Monument: Stanley Kubrick retrospective at the Cinémathèque FrançaiseLocation: Paris, FranceArchitect: Gehry PartnersYear: 1994

Monument: Stanley Kubrick retrospective at the Cinémathèque Française
Location: Paris, France
Architect: Gehry Partners
Year: 1994

Monument: Ice House at the Désert de Retz folly gardenLocation: Chambourcy, FranceArchitect: unknown Year:  late 18th C

Monument: Ice House at the Désert de Retz folly garden
Location: Chambourcy, France
Architect: unknown
Year:  late 18th C

Monument: Colonne Brisée (ruined column) at Désert de RetzLocation: Chambourcy, FranceArchitect: unknown (possibly François Barbier or even Etienne Louis Boullee) Year:  1774-1789

Monument: Colonne Brisée (ruined column) at Désert de Retz
Location: Chambourcy, France
Architect: unknown (possibly François Barbier or even Etienne Louis Boullee)
Year:  1774-1789

Monument: Palau de les Arts Reina SofíaLocation: Valencia, SpainArchitect: Santiago CalatravaYear:  1995- 2005
Struck by friendly fire!

Monument: Palau de les Arts Reina Sofía
Location: Valencia, Spain
Architect: Santiago Calatrava
Year:  1995- 2005

Struck by friendly fire!

Monument: Bibliothèque Nationale de FranceLocation: Paris, FranceArchitect: Dominique PerraultYear: 1989–1995
Scoping out an alternate angle for our rage/ a humiliating hi-five after pure architecture epicness

Monument: Bibliothèque Nationale de France
Location: Paris, France
Architect: Dominique Perrault
Year: 1989–1995

Scoping out an alternate angle for our rage/ a humiliating hi-five after pure architecture epicness

Monument: Pavillon SuisseLocation: Paris, FranceArchitect: Le Corbusier and Pierre JeanneretYear: 1930
This is why shotgunning is so much fun!

Monument: Pavillon Suisse
Location: Paris, France
Architect: Le Corbusier and Pierre Jeanneret
Year: 1930

This is why shotgunning is so much fun!

Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)Location: Pisa, ItalyArchitect: unknownYear: 1173-1264

Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)
Location: Pisa, Italy
Architect: unknown
Year: 1173-1264

Monument: Sorbonne ChapelLocation: Paris, FranceArchitect:Jacques LemercierYear: 1635-1642
The origins of the University of Paris, to which the Sorbonne Chapel is a major defining landmark, date back to the early 12th Century. Located on the Seine’s left bank, the the founding of the University provided an alternative to monastery schools. Free, yet rigorous, courses in law, medicine, arts, and theology drew in a worldly mixture of students to the area. The widespread use of Latin within the university community lead to this area being commonly known as the Latin Quarter.
When Cardinal Richelieu, a prime minister and patron of the arts, became the University’s president in 1622, he hired Jacques Lemercier to redesign the school’s campus buildings in a unified style. The Chapel is the only remaining building from this era and features a baroque facade and centralized floor plan heavily influenced by Rome’s Il Gesu church. It creates a connection with existing Sorbonne buildings through an entrance onto an interior courtyard as well as serves as the focal point of a public square (pictured).
The Chapel was completed in 1642, the same year as Richelieu’s death, and became his final resting place.

Monument: Sorbonne Chapel
Location: Paris, France
Architect:Jacques Lemercier
Year: 1635-1642

The origins of the University of Paris, to which the Sorbonne Chapel is a major defining landmark, date back to the early 12th Century. Located on the Seine’s left bank, the the founding of the University provided an alternative to monastery schools. Free, yet rigorous, courses in law, medicine, arts, and theology drew in a worldly mixture of students to the area. The widespread use of Latin within the university community lead to this area being commonly known as the Latin Quarter.

When Cardinal Richelieu, a prime minister and patron of the arts, became the University’s president in 1622, he hired Jacques Lemercier to redesign the school’s campus buildings in a unified style. The Chapel is the only remaining building from this era and features a baroque facade and centralized floor plan heavily influenced by Rome’s Il Gesu church. It creates a connection with existing Sorbonne buildings through an entrance onto an interior courtyard as well as serves as the focal point of a public square (pictured).

The Chapel was completed in 1642, the same year as Richelieu’s death, and became his final resting place.

Monument: Quadracci PavilionLocation: Milwaukee, WisconsinArchitect: Santiago CalatravaYear: 1994-2001
In order to generate a more visible identity for their institution, the Milwaukee Art Museum hired Santiago Calatrava to design a building in his signature style next to the existing Eero Saarinen designed War Memorial Center. What initially began as a modest plan for an addition rapidly grew in scale as funding increased due to excitement surrounding the project. The resulting museum, Calatrava’s first State-side commission, employs the architect’s signature architectural language of white poured-in-place concrete, graceful curves, and cutting edge engineering to full effect. Two 217ft operable wings, made of 72 steel fins, act as a sunscreen and create a dramatic show for visitors during opening and closing hours.

Monument: Quadracci Pavilion
Location: Milwaukee, Wisconsin
Architect: Santiago Calatrava
Year: 1994-2001

In order to generate a more visible identity for their institution, the Milwaukee Art Museum hired Santiago Calatrava to design a building in his signature style next to the existing Eero Saarinen designed War Memorial Center. What initially began as a modest plan for an addition rapidly grew in scale as funding increased due to excitement surrounding the project. The resulting museum, Calatrava’s first State-side commission, employs the architect’s signature architectural language of white poured-in-place concrete, graceful curves, and cutting edge engineering to full effect. Two 217ft operable wings, made of 72 steel fins, act as a sunscreen and create a dramatic show for visitors during opening and closing hours.

Big shoutout goes out to The Pittsburgh History Journal, our 100th follower. Thanks for the support everyone.

-more posts in the near future


Monument: The Solomon R. Guggenheim MuseumLocation: New York, New YorkArchitect: Frank Lloyd WrightYear: 1959
The Solomon R. Guggenheim Museum, located on 5th Avenue in New York City directly across from Central Park, is one of Frank Lloyd Wright’s better known public buildings. It opened in 1959 to exhibit the extensive art collection of it’s patron, Solomon R. Guggenheim. After fifteen years of design collaboration, it opened as the first museum in the United States built as new construction (more of the Guggenheim’s collection is housed as its sister museum in Bilbao, designed by Frank Gehry). The interior of the museum is formed around a continuous spatial helix with a ribbon-like ramp that spirals and expands from the ground to the top floor of the building. Upon entering, an elevator goes straight to the top floor, making it possible to descend the ramp at a leisurely pace, without the struggle of walking uphill. The art is displayed on the walls along the ramp in addition to a few side galleries.  The most common criticism of the museum speaks to the unconventional viewing of art displayed on slanted walls while standing sideways at a slight upward incline. This, however, was precisely Wright’s intention. He wanted “to make the building and the painting an uninterrupted beautiful symphony such as never existed in the world of art before.” Because the ramp spirals around a central atrium, it becomes compelling to look across the atrium to the people walking along the ramp opposite. Inhabitants are put on display just as much as the artwork at the Guggenheim. 

The museum underwent a major renovation from 2005 - 2008, including an extensive analysis of cracking of the concrete structure.

Monument: The Solomon R. Guggenheim Museum
Location: New York, New York
Architect: Frank Lloyd Wright
Year: 1959

The Solomon R. Guggenheim Museum, located on 5th Avenue in New York City directly across from Central Park, is one of Frank Lloyd Wright’s better known public buildings. It opened in 1959 to exhibit the extensive art collection of it’s patron, Solomon R. Guggenheim. After fifteen years of design collaboration, it opened as the first museum in the United States built as new construction (more of the Guggenheim’s collection is housed as its sister museum in Bilbao, designed by Frank Gehry). The interior of the museum is formed around a continuous spatial helix with a ribbon-like ramp that spirals and expands from the ground to the top floor of the building. Upon entering, an elevator goes straight to the top floor, making it possible to descend the ramp at a leisurely pace, without the struggle of walking uphill. The art is displayed on the walls along the ramp in addition to a few side galleries.  The most common criticism of the museum speaks to the unconventional viewing of art displayed on slanted walls while standing sideways at a slight upward incline. This, however, was precisely Wright’s intention. He wanted “to make the building and the painting an uninterrupted beautiful symphony such as never existed in the world of art before.” Because the ramp spirals around a central atrium, it becomes compelling to look across the atrium to the people walking along the ramp opposite. Inhabitants are put on display just as much as the artwork at the Guggenheim. 

The museum underwent a major renovation from 2005 - 2008, including an extensive analysis of cracking of the concrete structure.
Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)Location: Pisa, ItalyArchitect: unknownYear: 1173-1264
Thanks AintNoBonesInIceCream!

Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)
Location: Pisa, Italy
Architect: unknown
Year: 1173-1264


Thanks AintNoBonesInIceCream!

Monument: Maison du BrésilLocation: Paris, FranceArchitect: Lucio Costa and Le CorbusierYear: 1953

Monument: Maison du Brésil
Location: Paris, France
Architect: Lucio Costa and Le Corbusier
Year: 1953

Monument: Notre Dame de ParisLocation: Paris, FranceArchitect: unknownYear: 1163-1345

Monument: Notre Dame de Paris
Location:
Paris, France
Architect: unknown
Year: 1163-1345

Monument: Mobile Art PavilionLocation: Paris, FranceArchitect: Zaha Hadid ArchitectsYear: 2006-2008

Monument: Mobile Art Pavilion
Location: Paris, France
Architect: Zaha Hadid Architects
Year: 2006-2008

Monument: Stanley Kubrick retrospective at the Cinémathèque FrançaiseLocation: Paris, FranceArchitect: Gehry PartnersYear: 1994

Monument: Stanley Kubrick retrospective at the Cinémathèque Française
Location: Paris, France
Architect: Gehry Partners
Year: 1994

Monument: Ice House at the Désert de Retz folly gardenLocation: Chambourcy, FranceArchitect: unknown Year:  late 18th C

Monument: Ice House at the Désert de Retz folly garden
Location: Chambourcy, France
Architect: unknown
Year:  late 18th C

Monument: Colonne Brisée (ruined column) at Désert de RetzLocation: Chambourcy, FranceArchitect: unknown (possibly François Barbier or even Etienne Louis Boullee) Year:  1774-1789

Monument: Colonne Brisée (ruined column) at Désert de Retz
Location: Chambourcy, France
Architect: unknown (possibly François Barbier or even Etienne Louis Boullee)
Year:  1774-1789

Monument: Palau de les Arts Reina SofíaLocation: Valencia, SpainArchitect: Santiago CalatravaYear:  1995- 2005
Struck by friendly fire!

Monument: Palau de les Arts Reina Sofía
Location: Valencia, Spain
Architect: Santiago Calatrava
Year:  1995- 2005

Struck by friendly fire!

Monument: Bibliothèque Nationale de FranceLocation: Paris, FranceArchitect: Dominique PerraultYear: 1989–1995
Scoping out an alternate angle for our rage/ a humiliating hi-five after pure architecture epicness

Monument: Bibliothèque Nationale de France
Location: Paris, France
Architect: Dominique Perrault
Year: 1989–1995

Scoping out an alternate angle for our rage/ a humiliating hi-five after pure architecture epicness

Monument: Pavillon SuisseLocation: Paris, FranceArchitect: Le Corbusier and Pierre JeanneretYear: 1930
This is why shotgunning is so much fun!

Monument: Pavillon Suisse
Location: Paris, France
Architect: Le Corbusier and Pierre Jeanneret
Year: 1930

This is why shotgunning is so much fun!

Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)Location: Pisa, ItalyArchitect: unknownYear: 1173-1264

Monument: Torre Pendente di Pisa (Leaning Tower of Pisa)
Location: Pisa, Italy
Architect: unknown
Year: 1173-1264

About:

This blog, first and foremost, is about capturing the beauty and drama of architecture.

It presents the environment in a way that's detached from the serious perspective that is placed on architecture in academia.

Enjoy the juxtaposition of these two elements, but don't linger on the subtle tastelessness of our approach.

(let's rage)

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